Scar Tissue: Interview with competition judge Dr Clare Morgan
I was brought up in a passionate family, larger than life. There are positives and negatives in this, but passion and love in all its forms is something that has always fascinated me. My short story collection ‘An affair of the Heart’ looks to examine those topics in detail. My father was a talented musician, and a lover of poetry. My mother wrote short stories, and so I grew up surrounded by creativity. I was lucky to have had stories and poetry read to me, and songs sung to me, from an early age.
I love to explore what motivates and drives another person. I was quite a shy child, so writing has always allowed me to explore other people’s narratives and uncover truths indirectly. I’ve travelled a lot and worked with poetry and people internationally, from UK to US to Tokyo and beyond, so have met a whole range of people who have inspired my writing and how I think about the world.
Each story in An Affair of the Heart questions the apparently romantic title through its exploration of the enigmatic state of mind known as love. Desire and identity; displacement, emotional and geographical; the relationship between ambition, circumstances and emotion; the often difficult coexistence of passion and intellect; these are the subjects of the fifteen fascinating narratives.
Men and women reckon the worth of relationships past and present, from steamy New Orleans to urbane Paris, from metropolitan Chelsea to the industrial valleys and rural hinterlands of Wales. Frank and delicate, revelatory and secret Clare Morgan’s stories offer insights into human nature which are in turn punchily realistic and suggestively questioning.
Place is fundamental to who and what I am. It was a defining feature as I grew up in the Welsh countryside and remains so. Place to me is about belonging, or the absence of belonging. It has always been interlinked with history and time, and family in complex ways. This is an important part of my next collection ‘Scar Tissue’ coming out in September 2022. The book has five sections: Space; Home; Away; Nowhere; and Somewhere. Like scar tissue in the flesh, it looks at where things divided and where – and if – they have grown back together. It looks at what is and what might have been.
I love short fiction and how you can turn a story over a bit like a diamond, and it catches the light in different ways. It reflects so many truths at once, endlessly revealing to us something about ourselves and humanity. You can see the light shine off it from a variety of angles, giving different perspectives. But it’s important not to spell out too much, and to ensure that you leave room for the reader to undertake their own exploration. You need to give readers room to bring their own experiences, and not tell them what to think.
Flash fiction is a challenging form. It needs a narrative drive along with an emotional resonance, intensely compressed. Every word counts and must carry appropriate weight. What doesn’t happen, and what isn’t said, has incredible importance. That seems to me to be a kind of truth to life too. The spaces and gaps, the questions we are left with. It’s how I experience the world and how I write about it. It also provides that much-needed resonance, which is a vital ingredient in short fiction.
As a writer and academic, I’m passionate about developing writers to express their own unique voice. The Master of Studies in Creative Writing at the University of Oxford, which I founded 16 years ago, has a global constituency. The range of people and experiences it attracts provides an enriching environment in which to learn as a writer and a reader. It’s vital that we encourage writers to develop their individual writerly voice, instead of trying to enforce some kind of market-driven conformity, which risks everyone sounding the same. Voice is crucial in fiction, and is something I shall enjoy looking out for when judging the competition.
Good luck to everyone who entered!
Clare Morgan is a fiction writer and literary critic. Her most recent novel, A Book for All and None was published by Weidenfeld & Nicolson and shortlisted for the Author’s Club best novel award. Her short story collection An Affair of the Heart was published by Seren, and her new collection, Scar Tissue, is forthcoming with Seren in 2022.
Her stories have been widely anthologized and broadcast on BBC Radio 4. Her book What Poetry Brings to Business was published by University of Michigan Press and her recent writing on the subject has featured in the Wall Street Journal, FastCompany, and Humanizing Business (Springer, 2021). She is founder and director of Oxford University’s creative writing programme and a Fellow of Kellogg College, Oxford.