New Voice Award: The life cycle of frogs by Victoria Harris

5. Tadpoles

There they are: translucent blobs and tails like commas wriggling and squirming in the tank. Little mouth parts mowing away at the algae. Andie’s face is pressed up against the tank, big green eyes growing wide like forest pools as she watches. It’s the first time her parents have brought her to see my lab. They’re exhausted from the long flight but Andie just couldn’t wait.

Andie’s face twists in disgust. ‘Eew!’ she says.

No granddaughter of mine is going to be repulsed by tadpoles.

‘They’re not eew,’ I say, ‘Frogs are beautiful. A gardener’s best friend: they eat up all the slugs that destroy my vegetables.’

‘Why are there so many of them?’ she asks.

I settle myself down in a chair next to the sequencing machine and beckon Andie over. ‘It’s a hard life being a tadpole. Most of them would usually get eaten up. In the wild maybe one or two will ever get to be a frog. These ones are special: they’re endangered. You know what endangered means?’ 

Andie shakes her head.

‘It means that there’s not many left in the wild. Humans pollute or destroy their habitats or they die from parasites. That’s why we look after them here and try to make sure as many survive as possible.’

I frown as I notice the slight murkiness: I’ve told them before we need better filters.

18. Froglets

The summer weather is close and the froglets are starting to leave the pond. As Andie clutches that envelope apprehensively, I can still see that little girl, staring at the water with me.

‘Are you going to open that?’ I ask.

Her hands are shaking as she tears it open slowly and pulls out the letter. The tears start to well as she reads the words on the Cambridge letterheaded paper. I can tell without even looking at it what the outcome must be. 

9. Hindlegs

It’s late spring and the tadpoles have the first signs of back legs emerging. Andie and I are sitting by the pond in the garden of my little country cottage. It’s nice to be back closer to my family, somewhere that’s not a long-haul flight away. A dragonfly larva has a tadpole in its clutches, which is writhing and squirming to break free but I can already tell its hopeless.

‘Aren’t you going to help it?’ Andie asks.

‘Nothing to be done,’ I reply.

The dragonfly nymph sucks out the tadpole’s insides and Andie’s eyes start to well up. One more tadpole that will never be a frog.

‘That’s nature, I’m afraid. Like I told you before, most of those will never become frogs, but the dragonfly needs to live too.’ I say.

54. Adulthood

It’s autumn now and the frogs will have already left the pond. The images from the ceremony on the screen dance in front of my eyes. My eyes are going, so I have to squint. The nurses have brought be extra pillows to prop me up, so I can see Andie on the screen and behind her a picture of my old friend.

‘Thank you all,’ screen Andie says. ‘I want first of all to thank my grandmother for instilling in me the passion for research. This specimen was bred in my grandmother’s lab where its genome was sequenced. Without that basis, I would never have been able to make the connection between these genetics and their application to human diseases.’

18. Froglets

It’s been two weeks and the froglets are starting to lose their tails. The ones that made it will be leaving soon. Andie turns another letter over in her hands.

‘I know it’s not Cambridge,’ I say, ‘But it’s an excellent University.’

Come late November, I’m on a train with Andie’s favourite chocolate cake for her birthday.

I arrive at her dorm, and as I gently knock, Andie opens the door. I can tell straight away that something is wrong. I sit down next to her on the bed, which is the only place in this small room.

‘Jen and I had a fight,’ she says, looking at her feet.

‘Your girlfriend Jen, right?’

Andie’s eyes go wide.

‘Just because I’m old doesn’t mean I’m not perceptive. No-one cries like that over just a good friend.’

She clutches her hands, refusing to meet my eyes.

‘She dumped me,’ she says.

‘You know what they say,’ I say. ‘You have to kiss a lot of frogs before you find your princess.’

She wipes her eyes and lets out a small laugh.

‘I thought you liked frogs, and you always said they were beautiful?’ she says.

‘You’re right,’ I concede, ‘Well, how about this? There’ll be a lot of tadpoles in your life but only some of them will get to be frogs. Don’t worry, someday you’ll find the frog that will be your princess.’

29. Losing tails

Andie looks stunning.

‘Here,’ I say, pinning the frog brooch to her dress. ‘Something old.’

‘Your favourite brooch. Thank you,’ she says.

‘It’s your brooch, now. Better not be late,’ I say. ‘Don’t want to leave Sophie waiting.’

5. Frog

My heart sinks as I take it in. The fungus has contaminated almost all the tanks. I told them the filters were not good enough. And yet, I know in my heart that this is my responsibility. How could I have messed up so badly?

We sterilise and treat everything, but I already know in my heart that for most of them it is too late. Only a handful of tadpoles make it. As the weeks pass, we lose more, until by the end of the season only one remains. Out of a clutch of 500, only one has actually gotten to be a frog. Maybe that will be enough.


A grandmother’s love for her granddaughter, Andie, is expressed through a connection to science, nature, and frogs. This piece jumps in time, as denoted by the numbered subtitles, each corresponding to Andie’s age. Starting at 5 and ending at 5, this author brilliantly centres nature’s awe at the core of the storytelling—its terrors and hopes.

Avi Ben-Zeev

Charming and dazzling in its simplicity, “The Life Cycle of Frogs” captures the complexities of two lives, a grandmother and her granddaughter, in surprising and compelling ways. Extended metaphor has never read so good!

Deesha Philyaw

Oxford Prize: She writes herself a different life by Susan Wigmore

One in which her mother doesn’t die tragically giving birth even though it means sacrificing any likeness to Mary Shelley. One in which her father spends weekends at home (like other dads) instead of showing people Grand-Design houses he wants himself. One in which her older brother isn’t in his room all day listening to Dark Side of the Moon but takes her cycling on the bike she’s cleaning now, upturned on the drive, just as a red car motors up the cul-de-sac towards her house, the one right at the end with the navy front door as if the road leads here and only here and the car has come for her.

It stops. Engine idling. Time tick, ticking over.
And her narrative trajectory goes into freefall, spiralling wordlessly —

until grabbed by
a gravitational pull so strong she’s like a moon compelled to orbit an unknown planet. 

Because this is where she gets in the car. 
Because yes, she would like to go for a spin and the driver looks so hauntingly familiar, like a wayward maiden aunt she didn’t know she had, with a snake tail necklace, fringing on her jacket and two Diet Cokes up front. (Though they need something stronger, the woman says, now she’s old enough, if not quite legally, to make the world spin.)

If the girl had vocabulary enough, she’d say planetary gears in the car’s transmission keep it moving optimally, but the best she can manage is it floats. So they float to the Spar on the edge of town where the woman hands her a Take That tote; she’ll need it, though she won’t be shopping exactly. And while the woman talks rum with the shopkeeper, the girl takes chicken sandwiches and crisps and fat black grapes, mindless of a business owner’s need to balance the books.

They picnic by the reservoir in long, summer-scented grass beyond a danger sign. Arctic terns swoop over the water. Just passing through, says the woman with tanned feet so effortlessly bare. There’s Bacardi and Coke in paper cups and the lurch of the world. Splashes of sunshine through trees bright as revelations. 

And there’s the time it takes the girl to unbuckle her sandals. 

Because here is where she realises something of Mary Shelley might yet linger in the narrative of her life. So she swims, naked, slick-skinned, rising through rings on the water’s surface to take oxygen from the air, warmed by rum and the thrill of drinking it despite knowing, for now at least, the road leads home. 

Other than the angle of the sun, nothing has changed in the cul-de-sac when the red car pulls up at the kerb. The bike is how she left it and she spins its front wheel like a game of chance at the fair, letting it whir to a stop before tossing her sandals in the bin. She knows without seeing the woman is watching, knows without hearing the car is floating away. And she walks back into her old life, the one in which no one has noticed her absence, bare feet on cool grass, cotton dress awry, the touch of a hand still warm on her arm. 


Both a ghost story and a familial love story, “She Writes Herself a Different Life” perfectly captures the sweet, wild places grief may take us.

Deesha Philyaw

This queer awakening is a gem. A beguiling aunt lookalike stops by in a red car and offers a ride and a picnic. This quick detour from life’s routines results in a transformed internal life—a metamorphosis that does not require a witness.

Avi Ben-Zeev

The 2024 summer short-list

We are thrilled to announce our short list for the summer Oxford Flash Fiction Prize 2024 in partnership with the Bodleian Libraries’ Kafka: Making of an Icon exhibition at the University of Oxford.

If your story is listed, please do not identify which story belongs to you, as the judges are hard at work making their decisions.

SHORT LISTED STORIES

  • According to Wikipedia, Most Damselflies Emerge in Cool, Daytime Conditions
  • Amusement park dad
  • An unlikely awakening
  • Choose your animal
  • Corvids
  • Growing pains
  • Here is a slide
  • His bones
  • Hold
  • In bed with Tesla
  • Inheritance
  • It’s June in Kentucky, and Bob’s trucking through on I-65
  • Kitchen conversations
  • Light pressure
  • Lost and found in Clapham
  • More sky than anywhere
  • Nebulated
  • Northbound
  • She writes herself a different life
  • The experience machine
  • The Extemporal Haberdashery
  • The glory
  • The life cycle of frogs
  • The worst case scenario
  • Three cornered hat
  • Wanted: Pregnant woman seeks dunnock, parenting experience preferred
  • What storms may come
  • When the stork brought Eliza a rock instead of a baby

Those on the short list will be awarded publication in our next anthology and a workshop with The Flash Cabin.

We will be announcing the winners in a few week’s time, so watch this space!


Join us! Words of Wonder day and anthology launch – 26 October | 11-4pm

Join us for the anthology launch! On 26 October, the Bodleian Libraries will hold a day event in Oxford called Words of Wonder. During the day (time to be confirmed), we will be celebrating the launch of the anthology with readings, prizes and more. There will also be hands-on activities in this celebration of the wonder of words: experiment with words through collage, black-out poetry, and hanging lines of literature; have a blind date with a book; create and recreate stories with collaborative writing and narrative games; and take a tour of Kafka: Making of an Icon and print your own themed keepsake.

Let us know if you want to join us in person or online by registering your interest and we will keep you up-to-date and send you the invite link.

The 2024 summer long-list

We are thrilled to announce our long list for the summer Oxford Flash Fiction Prize 2024 in partnership with the Bodleian Libraries’ Kafka: Making of an Icon exhibition at the University of Oxford.

Congratulations to all of the authors who reached the list and for all those who entered this round. As always, we saw a wonderful range of genres, topics and stories from all over the world, and it was hugely competitive. Many wonderful stories just missed the final list and for those we have permission to email – we will be letting you know! 

If your story is listed, please do not identify which story belongs to you, as the judges are hard at work making their decisions. We will be in touch with those on the list.

LONG LISTED STORIES

  • A face like no other
  • A house we can both live in  
  • According to Wikipedia, Most Damselflies Emerge in Cool, Daytime Conditions
  • Amusement park dad
  • An unlikely awakening
  • Besieged bodies
  • Cafe terrace at night
  • Choose your animal
  • Corvids
  • Cuckoos
  • Drunk, he falls backward into the flow of time
  • Ever westward
  • Growing pains
  • Here is a slide
  • His bones
  • Hold
  • Home is where the heart used to be
  • In bed with Tesla
  • Inheritance
  • It’s June in Kentucky, and Bob’s trucking through on I-65
  • Kitchen conversations
  • Light pressure
  • Lost and found in Clapham
  • More sky than anywhere
  • Nebulated
  • Northbound
  • One hundred days of the Irishman
  • Picasso was a dick
  • Scatter Plot of Loss
  • She writes herself a different life
  • The experience machine
  • The Extemporal Haberdashery
  • The glory
  • The indignity of old wright
  • The life cycle of frogs
  • The puppy
  • The tube transforms
  • The worst case scenario
  • Three cornered hat
  • Wanted: Pregnant woman seeks dunnock, parenting experience preferred
  • What storms may come
  • When the stork brought Eliza a rock instead of a baby
  • Whispers of the Vaal
  • Willie

In the next few weeks, we will be announcing our shortlist, who will be awarded publication in our next anthology and a workshop with The Flash Cabin.

So watch this space! 

Our next competition will be opening on the 1 June 2025. So if you don’t find yourself on this list, we hope you’ll try again in our next competition and keep crafting.

Words of Wonder day and anthology launch – 26 October | 11-4pm

Join us for the anthology launch! On 26 October, the Bodleian Libraries will hold a day event in Oxford called Words of Wonder. During the day, we will be celebrating the launch of the anthology with readings, prizes and more. There will also be hands-on activities in this celebration of the wonder of words: experiment with words through collage, black-out poetry, and hanging lines of literature; have a blind date with a book; create and recreate stories with collaborative writing and narrative games; and take a tour of Kafka: Making of an Icon and print your own themed keepsake.

Let us know if you want to join us in person or online by registering your interest and we will keep you up-to-date and send you the invite link.

As The Deer Watched by Anne Falkowski

When the baby inside me was no bigger than a bean, deer began eating out of my hand. Well, only one deer and it was a carrot I stored in my jean pocket before I set out on my daily hike. Actually, there were two deer. Only one ate out of my hand. The other watched. I sensed the watcher might have been in charge. Or had more self-control. When I found out I was pregnant, it wasn’t a shock. You hadn’t pulled out, the way we’ve played it since college, and then you went UH OH. You’ve only said that twice before. And I said: ‘REALLY, I’m too old. I just got grooving in my career and we don’t need another baby. The ones we have can finally fend for themselves. Get their own juice, put themselves to bed. Stuff like that.’ You shrugged; your naked-self sprawled on our pillow. You curled yourself around me. ‘Don’t worry. I’ve got your back,’ you said. When I found out I was pregnant, I pretended not to notice that you began staying up later than me, drinking Wild Turkey while watching YouTube videos. Emptying one bottle a week and then one bottle every three days. It wasn’t a total surprise. ‘MAGNIFICENT!’ I said, as they cracked when I threw them in the recycling. The deer never came up to me before the pregnancy. I’d seen them many times of course. That’s why I sprayed myself with DEET. You know. Ticks. But you didn’t pull out and now their white tails aren’t bouncing away; they stop and stare at me as if they have something to say. Why did you do this now? At this time in your life? Why did you get yourself knocked up? Who says knocked up anymore? The deer who likes to watch, maybe is the one in control, and says this to the other one. I’m kind of surprised how judgmental deer can be. Maybe they’ve been together a long time and now bring out the worst in each other.  I suspect they know I’m no longer making healthy kale smoothies. Instead, I’m eating toast with butter. It’s the only thing I can keep down. (Well, the wine.)  Gluten and dairy. Can’t be good, the deer says, but after he takes the carrot in his long teeth. I Imagine the fetus as big as a bean curled with unformed fists resting under his own cheek. I imagine the fetus has teeth and wiry dark hairs like the bucks. I know this is not feasible. 

I started drinking again, not in a problematic way. A glass of chardonnay with dinner. Maybe a glass and a half. My mother’s mouth was smug when she said, ‘You are the only person I know who starts drinking in the first trimester. Don’t think I’ll help out as much with this one. I’m not as young as I used to be.’ I hadn’t smoked since my early twenties, but then and there I wanted an after-dinner cigarette. Maybe this was taking things too far. 

My hikes began by walking up a hill. Some say the hill is too steep to start from. Take another path. My blood grew hot, and the volume felt like it swelled too big to be contained by my veins. Blood is blue until it hits air, then it is corpuscular red. Last time you were watching a YouTube video, you were straight-faced and whisky breathed when you told me not to hike in the woods alone anymore. You said you saw this video where a hunter got attacked by two deer. ‘HONESTLY!’ I said. I put a hand over my mouth. Another on my belly. I could barely stifle my giggle.

The next day, as I puffed up the hill, I could barely wait to tell the deer about how silly you are. Thinking they would harm me. Maybe if I doused myself in deer pee like the guy who made the video. I had to look it up and show you it was staged. Maybe you are losing it? I hear shots in the distance. One and then another. Hunters I suspect. Like the one who covered himself in deer pee so they would fight him. The leaves are falling at a fast rate. They are at the stage where they are bright yellows and reds, coating the ground. I see their hearty veins rise from soft matter. Weeks away from breaking down into brown organic ground cover. When the abdominal cramping begins, I know immediately what’s happening. I grab my belly. I say out loud ‘OH NO!’ I lose my footing on some rocks and catch myself with one arm. Standing back up, I want to peel down my pants right there and then and see for myself if there’s any blood. I don’t want there to be any blood. It is right then that I hear one of the deer snort. A warning. I turn myself and face the two of them. The shy one in the back. They both stare me down. There are no other sounds except for the wind. The one in front stamps his front hoof as if to tell me something important. As if to wake me from a dream. I want to tell you something important. I’m scared. 


This story parallels the observance of deer with the anxious possibility of parenthood. This device is used to play with our perspective. The author is asking for close observance of nature but also the way our human nature is tested when a woman has to consider the way their life will change after the birth of a newborn. There are poetic lines that can be attributed to both the speaker and the observance of deer. Such as: “Some say the hill is too steep to start from.” These delicate insights are scattered across the text and help us understand the internal world of our protagonist while fully embedded in reality.

Nick Makoha

I love the way this story invokes magical realism to tell a nuanced tale about a woman coming to terms with a pregnancy.  The more times I read it, the more the voice grew on me; through one short story, we shift through multiple moods and watch the character move into new territory, both physically and psychologically.

Ingrid Jendrzejewski

Gambar oleh Rinnie Deer dari Pixabay

Jigsaw Pieces by Susan L. Edser

11

I feel the woman’s gaze infiltrate me, as she looks for secrets that only she suspects. There is a tension, which is held by the birdsong that drifts between us. 

‘I heard you sing,’ she says. 

I am awkward and notice heat reddening my cheeks. I’m at that age when my body is growing at different rates and in ways that make me self-conscious. The garden is my private space, my retreat, to which no one is invited. She has found a way here, from across the hedge, from her private space. I hesitate in my response, uncertain how to talk to this adult, so I just smile and walk off to an area where she can’t reach me. 

29 

‘You remember Mrs Cotton, don’t you?’ my mother says. 

I have a vague memory and ask if she means the old neighbour from my childhood home. 

‘Yes, Mrs Cotton and Miss Richards.’ 

I am surprised, but somehow not.  

‘No one said anything, but everyone knew,’ she adds. 

Mum tells me about the women she has known who were like me. There is the PE teacher that we all suspected and mocked; there is the lady who lived up the road from my grandmother; there is the woman over the hedge and her friend. That’s what people called them then, friends. I am touched that she wants to tell me it’s okay, you are not alone: there have been others; we have known others. 

7 

The grown-ups talk like old friends, while the cousins are a giggling mass on the faux fur rug, legs and arms entangled beneath the smoky haze. I don’t know these children, but they look like me. Our genes are from the same place, like heirlooms inherited by long-lost relatives. There are similarities between my uncle and sister, and the eldest one of their family resembles our grandfather. We play straight away, like children do before they are affected by hormones. My hand brushes against an intimate area and one of them shows her disgust. 

‘What are you? A lesbian or something?’ she says. 

I don’t know what that is, but I know the answer is no. 

36  

I ask, ‘Is Aunty Rita a lesbian?’  

‘I beg your pardon?’ he says.  

His response makes me feel six years old.  

‘Nothing,’ I say, wishing this reply will erase what has just happened. My father is offended that I have asked about his sister’s sexuality. I look away, as he looks away from me. Mum click-clacks on her knitting needles, and the silence makes her lose her rhythm for a moment. 

‘Yes,’ he says, after a short while.  

I feel like a bomb diffuser, as I choose my words carefully: red wire, blue wire. ‘Oh?’ 

He shifts in his seat and says, ‘I wasn’t prepared when you asked just then.’ I nod. Apology accepted, I think. 

‘The vicar,’ Dad said. ‘She lives with the vicar. Brenda.’  

He can’t bear to use the word.

14  

I ignore the lad in school but play with him near the local vicarage when no one else knows. He is different, like me: it is our unspoken, unwanted connection. The other teenagers bully him and if they know I spend time with him, they might bully me too, as they unravel the truth like we have been taught to unravel simultaneous equations. We must pretend to be like them, but it confuses me, to try to be a different version of myself when I don’t even know who I am yet. I have recently started my period and I know I am devastated. I just want to be a boy, because I don’t know there is another way to be.

86  

My great nephew stands in front of me, and I cannot remember his name. I share my life stories with this boy, but recent memories are harder to capture, like catching bubbles that burst on contact. I am fading and my wife holds my hand, as she kisses my eyes.  

‘I have always loved your eyes,’ she tells me, but of course, I know that; I will always remember that.  

I won’t be here soon, physically at least, and she will be left, reading my books, and walking around our garden. I will linger amongst the words and be spotted within the perennials that flower as a reminder of what we nurtured here. We will meet again in eleven years, but neither of us knows that now. 

52 

I have not seen her in such a long time, and she is now looking around my new house. We are polite, as she avoids the freshly plastered walls and negotiates the piano discarded in the centre of the lounge. We are both more interested in the outside.  

‘What do you like about gardening?’ I ask my aunt. 

‘It’s where life happens,’ she says. 

I look at her properly for the first time and see an inner serenity. The aversion I feel towards this woman evaporates like moisture transpiring off leaves. We are not so different, she and I. We have things in common that neither of us acknowledges, as she turns to go, and we kiss goodbye. 

18  

He is kissing my lips, and I am not sure what I am meant to do. I make affirmative noises because that is what I have seen on television, but it feels mechanical. I have seen other things on TV, like the two women lying in bed together and I think it is the most beautiful image in the world. They remind me of the nymphs in John William Waterhouse’s paintings, unlike the Andy Warhol parody I am living now. I will spend years with this man. I will try to fit in. I will try to be me until I conclude that being me is not fitting in. It is not being with this man. And it is not the picture on the jigsaw puzzle box I will try to replicate all these years. 


This flash presents the reader with an incomplete set of jigsaw pieces — little moments from various times in the narrator’s life — and invites the reader to piece them together and imagine the larger picture.  I love the non-linear structure and the gaps left for the reader to fill in.  I also love the way the narrator’s voice and perspective mature as she ages.

Ingrid Jendrzejewski

The truth about life is that it is a jigsaw. A spattering of events that we put together to make up a life. What the narrator realizes is that these events are despite our best attempts something that happens to us in a nonlinear fashion. There is a wonderful sense of curation as we consider not only what is presented to us but also what has been left out of the vista that is being presented before our eyes.

Nick Makoha

Business Stock photos by Vecteezy

Numbers by Tom Vowler

97

You stay up all night, watching as Tory behemoths are slain one by one, waltzing around his living room in your underwear as he sings ‘The Internationale’. It’s safe to make babies now, he says, shaping your breasts as if they are clay. 

33

Cyprus Avenue. Friends scowl a little at your haste to cohabit. But it’s the same as the song, you say (you still believe in portents). He exposes floorboards while you resuscitate the garden. Parents pronounce you a triumph. You assemble all the ingredients for a life.

3

The number of children you want. They will squabble and scream and belly-laugh. Get sick and sleep furled into one another. Come home with blooded knees and tales of near misses and you’ll pretend to breathe. They will avoid abduction and ring each other when you’re eighty and had a fall.

5

The times he tells you to stop folding down pages of books before you lose your shit. He buys bookmarks, loiters them in every room. You dream of moving through a cavernous library, making small paper triangles wherever you chose. If you’re going to compromise, it’ll be on the big things.

4

You consider the lovers you had before him. How cruelly you treated them at the end. The marriage proposals you trampled on.

50

We have to limit guests, he says. It makes no sense to lavish all that free food and wine on a school friend you haven’t seen for a decade. No, you think, far better his moronic friends from golf attend. (You laugh with his younger socialist self at his new hobby.)

1

The number of breasts your mother exits the world with.

1,000,000

The number of Earths that can fit into the Sun. You think about this when you want to feel small. 

14

The times each week you check for a lump.

-3°

A honeymoon in Reykjavik. You are blue from the spa, skin shrunk taut, and it is back in the boutique shower with its rose head spray that you find one.

7

Days spent waiting for the test results. 

100

Bolts of lightning striking Earth each second. Yet she turns in spite of the onslaught.

8

The hours you’re not allowed food before the procedure. They remove both unhealthy and healthy tissue. You’re told you’ll receive a pathology report, detailing the characteristics of the mass. 

400

After the surgery, you learn to play chess on your laptop. It astonishes you, the possible positions on the board after just one move each. The moves are simple, yet the game seems infinite in its depth. One day you play an old Korean man, the next a girl in Brazil. Despite the pain and nausea, the games furnish you with the disembodiment you crave.

46

You ask him to stop, your body recoiling, but he continues, for long seconds, hoping the momentum crescendos, a tipping point reached where you’ll yield. When he does finally quit, there’s a scene and before you head to the spare room, he tells you how many days it’s been. 

6

The times he says he still loves you before you return the phrase, if only to fill the silence. Relief flares on his face like an acquittal.

9

To one. The odds of a new tumour appearing in the next ten years.

10

The days of a vipassana you attend in Nagpur, where time morphs and spins and clusters. They say many don’t make it to the end, the mind insane for stimulation. It is deep into a 6am meditation, facing the same mottled point on the ashram’s wall, that you decide to leave him.

0

The number of children you have. Who will ring around, you think, when you’ve had a fall?

93

Your mother’s mother, bowing out a nonagenarian, the curse skipping a generation, like a foxglove lying dormant for a season.

8

The agent hands you the keys. It’s a little damp, he says, but it has a courtyard, which you sit in once he’s left, removing your socks and shoes, the few fronds to penetrate the gravel bisecting your toes. The upstairs neighbours are in the foothills of an argument; laughter unspools from a nearby playground. You consider another cuspal period in your life, relish being ‘estranged’, remember that the light now warming your face left the sun eight minutes ago. Unpacking, you open a book, turn down a page’s corner.


The use of numbers works on many levels first as a form but more importantly, it reveals the idiosyncrasies of the character. The numbers also act as a speed device moving us back and forth through time allowing us to fuse all these vignettes into one thought.

Nick Makoha

This piece approaches a common theme from a unique perspective, filtering a very personal story through the numbers and figures encountered by the main character on her journey.  I love the experiment with form, and I also love the way the use of the second person ‘you’ makes the story feel all the more urgent and personal.

Ingrid Jendrzejewski

New Voice Award: Eomma, where are we going? By Yossi Eun-Chong Rosen

Eomma says it is time for bed. Eomma makes me pee in the urinal outside. Appa is asleep. The blanket hugs me. Eomma kisses my forehead. The candle dies.  

–

I can’t sleep tonight. The sheets are cold. My eyes are open. The moon is in the window. 

–

Eomma packs me potatoes for school. One, two, three in the burlap sack. At lunchtime, they stick to my throat.

–

Teacher makes us say his name again. She writes it on the chalkboard in long, thin strokes: 김정일. Kim Jong Il. His face is above the chalkboard. He looks like harabeoji. White hair. Soft eyes. He is our dear leader. Teacher is happy. 

–

When I get home, the sky is many colors. The bough murmurs. Unflowered.

Eomma is sad. 

She doesn’t see me. 

Appa. Appa. Appa. 

My mind is loud. My face is wet. 

Eomma tells me she will be gone. She will look for Appa. 

She tucks me in the warm cover. 

She touches my face. 

Her hands are warm. My eyes are dark. 

–

My eyes open. The world opens. Appa is gone. Eomma is here. She puts things in the burlap sack. 

A knife glints. 

Let me touch it, Eomma. Eomma says no.

–

The river is white and rough. The moon is in the river. 

–

Eomma is wet. The bank is dry. 

The river is backwards. The moon is broken. 

The river leaves us. 

–

Beulokeo, Eomma says to the broker. He looks like Appa. Eomma, where is Appa?

–

Beulokeo talks to the soldier. Red and blue and white.

–

Paper. Hands. Paper. Hands. Eomma, why did you give paper?

–

There is no sky. The building is fat and bright. It says Chinese on it. We will sleep here, Eomma says.

Beulokeo. Paper. Hands. Paper. Hands. 

Hard floor. Soft bed. 

–

Eomma kisses my forehead. The blanket hugs me. 

–

We stoop in the truck. The building leaves us. The road is pebbled. The moon is cold. 

Consulate, Beulokeo says. He points. A building. A gate. It says Japanese on it. 

Beyond, soft land. Warm light. He smiles.

– 

The truck stops. The officers wear guns. The officers are night. 

Songhwan. Beulokeo whispers words. 

Eomma’s eyes are vague. She doesn’t see me.

I don’t want to go back, Eomma. 

–

The moon is cold. The officers are night.

Eomma. I don’t want to go back, Eomma.

–

She retrieves the knife. Clutches it. 

–

The moon is cold. 

The officers are night. 

We are red. 


This piece merges a poetic voice with a childlike perspective to tell this simple, haunting tale.  The prose has a beautiful cadence and flow, and I was astonished to discover that this piece was eligible for the New Voice Award. I hope to have the chance to read a lot more from this author in future!

Ingrid Jendrzejewski

The power of this story is how it takes us out of mundane existence and places the reader on an axis of a harsher perspective of life. I am particularly impressed with the use of the short line. They almost work as haikus.

Nick Makoha

The 2024 winter short-list

We are thrilled to announce our short list for the winter Oxford Flash Fiction Prize 2024.

Congratulations to all of the authors who reached the list and who will be awarded publication in our next anthology and a workshop with The Flash Cabin.

If your story is listed, please do not identify which story belongs to you, as the judges are hard at work making their decisions.

SHORT LISTED STORIES

  • Before the wind blows it all away
  • A butterfly on your neck
  • A series of questions 
  • after graduation lady macbeth goes for a job interview 
  • As the deer watched
  • Baptism
  • Enzo Zanetti 
  • Eomma, where are we going? 
  • Footfalls echo
  • Hauntings
  • Honey
  • How simple the end could be
  • In Johannesburg, there’s no power but our power. 
  • Jigsaw pieces 
  • Little Tooth
  • Numbers
  • My Stepdad is the Old Nokia Phone that Doesn’t Allow Pictures
  • Pareidolia, In Toast
  • The Phoenix
  • Reflections
  • Snow falling 
  • Sodium chloride: A user’s guide
  • The Caged Budgerigars
  • The farm in the valley
  • The view from up there
  • There is no before, there is only after
  • This Time 
  • Trespasses  
  • What a kerfuffle
  • When our sister have ulcer upset or something of that nature

Our next competition will be opening on the 1 June 2024. So if you don’t find yourself on this list, we hope you’ll try again in our next competition and keep crafting.


Are you looking to transform your writing practice this summer?

27 July – 2 August | 7.30pm – 8.30pm

Transform your writing habit and write a flash fiction story every day for a week with Author and Director of the Oxford Flash Fiction Prize, Freya Morris. We will be focusing on creating first drafts for the upcoming summer competition.

Find out more 

The 2024 winter long-list

We are thrilled to announce our long list for the winter Oxford Flash Fiction Prize 2024.

Congratulations to all of the authors who reached the list and for all those who entered this round. As always, we saw a wonderful range of genres, topics and stories from all over the world, and it was hugely competitive. Many wonderful stories just missed the final list and for those we have permission to email – we will be letting you know! 

If your story is listed, please do not identify which story belongs to you, as the judges are hard at work making their decisions.

LONG LISTED STORIES

  • Before the wind blows it all away
  • A butterfly on your neck
  • A great man
  • A series of questions 
  • after graduation lady macbeth goes for a job interview 
  • As the deer watched
  • Baptism 
  • Button eyes
  • Enzo Zanetti 
  • Eomma, where are we going? 
  • Footfalls echo
  • Hauntings
  • Honey
  • How simple the end could be
  • I am an island
  • In Johannesburg, there’s no power but our power. 
  • Jigsaw pieces 
  • Little Tooth
  • Numbers
  • My Stepdad is the Old Nokia Phone that Doesn’t Allow Pictures
  • Pareidolia, In Toast
  • The Phoenix
  • Reflections
  • Snow falling 
  • Sodium chloride: A user’s guide
  • The bluestone and the heather
  • The Caged Budgerigars
  • The farm in the valley
  • The view from up there
  • There is no before, there is only after
  • This Time 
  • Trespasses  
  • What a kerfuffle
  • When our sister have ulcer upset or something of that nature

In the next few weeks, we will be announcing our shortlist, who will be awarded publication in our next anthology and a workshop with The Flash Cabin.

So watch this space! 

Our next competition will be opening on the 1 June 2024. So if you don’t find yourself on this list, we hope you’ll try again in our next competition and keep crafting.